If you read their poetry, you will know.
As the works of Robert Frost and Wallace Stevens were the assigned readings this week, it is a natural extension to compare the two writers styles, etc.
I enjoyed reading Frost. I did not enjoy Stevens. Frost combines words to paint a picture. For example, in The Wood-Pile, a bird is encountered. "He thought I was after him for a feather.....I forgot him and let his little fear carry him off..." Because of the language Frost uses, I understand a bird has entered the scene, the bird is characteristically cautious, and the study of the bird is dropped when something more interesting is found. If this bird is representing some deeper metaphor, I just might figure it out.
Stevens has birds in his work as well.
I was of three minds, Like a tree In which there are three blackbirds. The blackbird whirled in the autumn winds, It was a small part of the pantomine.
Exhausting. Must I read it again, and again, and again?
Are you not picking apples right along with Frost? Do your feet hurt, as mine do?
My instep arch not only keeps the ache, it keeps the pressure of a ladder-round
Anybody that has ever painted a house can relate.
He's gotten all bug-eyed from doing one thing for too long
And I could tell what form my dreaming was about to take, Magnified apples appear and disappear
Don't you hate that? Anyone who has performed a repeating task, hour after hour, knows this experience. Again, I say if there is a metaphor or some other writer's tool at work here, I have a shot at uncovering it. This is because Frost uses common language.
Here's Wallace:
Yet the absence of the imagination had Itself to be imagined. The great pond, The plain sense of it, as my mind wanders imagining that I can't imagine, I wonder if I have a new email, blah, blah.
I need some help here. I guess some may enjoy using some supplement to help them "understand" what they are reading. A five hundred word interpretation of a two hundred word poem (Spark Notes) is not my idea of good literature. Nor do I enjoy crosswords or Soduku except to kill time. Wallace Stevens is successfully killing my time.
Sure, I am a novice at literary analysis. I wish to remain that way. Here is why. The writer is the professional. I expect the writer to do all the heavy lifting. I realize others may get a rush when a flood of meaning comes forth as a result of successfully completing a mental dot-to-dot. To each his own.
Reading Wallace Stevens is like viewing a Kazimir Malevich,
Black Square, c. 1915
Whereas Frost can be better compared to viewing a Monet.
Woman in a Garden, 1867, Hermitage, St. Petersburg